High bets for high fashion: Brand bets on luxury revival on catwalk

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High bets for high fashion: Brand bets on luxury revival on catwalk
High bets for high fashion: Brand bets on luxury revival on catwalk

Luxury brands start on high-dawn reboots

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The new designers go aim to revive consumer interests in the channel, Dyer, Gucci

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High end industry conflict between prolonged economic recession

By Mimosa Spencer

Paris, September 8 – The channel and Dior are of a record number of top fashion brands, which will introduce a collection of new designers on the Catwalk in the coming weeks, which aims to lose one of his great, Georgio Armani last week, which goes to interest in a magnificent luxury industry last week.

The stakes are high for an area of ​​$ 400 billion, which closes a month of the fashion shows in New York, London, Milan and Paris on 10 September. The brands have fought to improve sales since the wound of Panduk Boom two years ago.

After an annual growth of 10% for nearly a decade, last year slipped into the region, causing a hurry of changes at leadership and creative levels.

“Industry is facing disturbed water,” Jonathan Siboni said, CEO of Consultancy Luxuryanite. The Chinese economy has been affected by a property crisis, while US President Donald Trump’s trade war weight is threatening margin in American consumer confidence and European high -end brands. The recession has inspired widespread changes in the entire region, reaching companies including the new CEO Gucci-Malik Kairing and Italian brand Valentino, as well as high-level management reshuffle in the world’s largest luxury group LVMH.

A new generation of designers is taking command in three of the three biggest global brands, channels, dys and Gucci. The death of Italian fashion icon Georgio Armani on 4 September is questioning the future of Italian label.

Industry-wide designer shakeup has also reached a small label: LVMH’s Seleen, Lowe and Givenchi; Kering brand Botga Venetta and Alexander Mcquin; The recently acquired Versace of Prada; Puig Label dry Van Noten and Jean Paul Galtier and OTB’s Messon Margila.

The pressure on the new crop of creative directors is particularly high in this season. Traditionally, the task is to introduce new styles that bring enthusiasm for the historical label without diluting the brand image – but here they need enough interest to win back the inflation -shopkeepers who are no longer interested in spatting the handbags. “Fundamentally, this season would indicate whether luxury brands will be able to re-connect with consumers,” simultaneously Group CEO Christian Kurtzke said, luxury-centric consultations, a global collective of creative creative consultations, immersive technology, marketing and production studios. Catwalk presentations are no longer just industrial showcases, but also work to create enthusiasm around a brand.

“What is next will probably be more revolution than a development,” Siboni said.

Lose touch

Brands such as Channel, Dyer and Louis Wuiton trusted a huge price to run the profit during the pandic boom. But as prices increased, shopkeepers started getting away. According to the consultancy ban, 50 million customers were lost in the region last year, as economic pressure and value fatigue reduced the appetite for designer clothing and handbags.

To note, fashion brands need to “separate themselves, be more and more luxurious, while at the same time, the budget cut and economic crisis, should also be more ‘quiet’, said Stephen Galini, an associate of Creative Agency Balistic Art.

This challenge is particularly intense in Gucci, missing the post-pandemic boom and struggled in 2024 since the departure of designer Alesandro Mitchell. The designer’s baroque style, which was out of the side with the shopkeepers, was replaced from a minimal view, which failed by the successor Sabmato Dinon.

It is now dependent on Damna – who discussed in small kerning labels Balensiaga and is known to apply high -end tailoring techniques to create oversize suits, streetwear and coucher – which is to revive the stored Italian brand, which is responsible for the group sales and profits. Demana’s initial design will be shown in a presentation in Milan on 23 September, but the designer’s first fashion show for the brand will be in March.

The channel, which recorded a rare decline in sales last year, recruited Maithiyu Blaze to refresh the tweet of the French fashion house that was designed by Carl Learfeld for decades, which was successful by a long -time associate Virgin Viard after his death in 2019. Grand Palais in Paris.

LVMH’s second largest label, Dior, lagging behind his stable Louis Witon, brought to Jonathan Anderson, both to replace Mainswear designer Kim Jones and Women’swear designer Maria Grazia Curi. Anderson, who showed Mainewear in July, begins women’swear on 1 October.

Many labels have shown their new designers on celebrities on the red carpet of the Venice Film Festival, with the new designer Dario Vitale dressing Julia Roberts of Versache, for example, in a thin deep gown that was washed away.

Brand advisor Fabio Bicherry said that further of the important debut in Paris and Milan – showing a glimpse of a glimpse of a runway event – a glimpse of the lineup of dozens of looks, be carries out risks, showing a glimpse of the lineup of dozens of looks.

“When you throw one in the middle of the red carpet you lose the magic touch – it’s super risky,” Berry said, exposing this exposed brands to negative comments on social media.

“This is the worst way to start a new creative direction.”

This article was generated from an automated news agency feed without amending the text.

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