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BRUSSELS — Belgian designer Dries Van Noten, who dazzled the fashion world with his striking use of colors and fabrics for nearly four decades, said Tuesday that he will step down as creative director of his namesake brand at the end of June. Will give.
Van Noten, 65, a master of mixing the old with the new, said in a statement that the 2025 men’s spring-summer collection will be his last in his current role. He said that the women’s collection will be designed by his studio.
Van Noten’s successor will be announced at a later date, he said.
Van Noten said, “I’ve been preparing for this moment for a while, and I think the time has come to leave room for a new generation of talent to bring their vision to the brand.”
Although he will be leaving his role as creative director, Van Noten will still be involved with the fashion house.
After fashion firm Puig acquired a majority stake in Van Noten in 2018, the designer remains creative director of the brand, which has expanded into beauty and fragrance. Van Noten said the acquisition of Puig has helped the brand continue to “thrive.”
He said, “Like a garden, you decide what to plant and at some point, it continues to flourish.”
Van Noten graduated from fashion design courses at the Royal Academy of Fine Arts in Belgium in 1981 and presented her first collection five years later. His first flagship store opened in 1989 in the Belgian port city of Antwerp, where he was born into a tailor family.
As Antwerp developed the reputation of the cool capital of Europe, Van Noten emerged as a major creative force as part of “The Antwerp Six”, a collective that included Walter Van Beyerendonck, Ann Demeulemeester, Dirk Van Saene, Dirk Bickembourgs. And Marina Yi was also included.
“In the early ’80s, as a young man from Antwerp, my dream was to make my voice heard in fashion,” he said. “Through a journey that took me to London, Paris and beyond, and with the help of countless supportive people, that dream came true.”
Van Noten made his debut in 1991 with a menswear collection at Paris Fashion Week. Her first womenswear show on the catwalk of the French capital city was held two years later. Since then, Van Noten has staged two womenswear and two menswear shows every year.
His Paris Fashion Week fall show last month was a visual celebration of confusion and contradictions. The sleeves were cut to appear almost two-dimensional, an innovative play on perspective that challenges the viewer’s gaze. Sweaters seemed alive, embracing their wearers in a dance of fabric and form.
This interplay of texture and color created a dynamic energy and poetry that has become Van Noten’s hallmark.
“Now I want to focus my attention on all the things I never had time for,” Van Noten said. “I’m sad, but also happy.”
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