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Dausa The polymorphic art in the country, which is an old tradition of entertaining people, is now going through a difficult period. This art has been important since the time of the kings and emperors, where the artists entertained many characters like bears, cheetahs, lions, blacksmiths, bookkeepers, seths, gurus, disciples. But in today’s time, both this art and its artists are in trouble and they need protection.
Polys of polymorphic art is going through a very bad phase
Bahurupia artists say that this art is going through a very bad phase. The livelihood of the family of millions of artists across the country depends on this art. Akram, a resident of Bandikui and polymorphic artist Akram, says that there were about 2000 artists in Rajasthan, but the cost of makeup increased and the remuneration has reduced so much that it has become difficult to reach this legacy to the next generation. Now only a few artists are left.
Polysome art is facing cooperation
Akram said that his father Shivraj Bahurupiya demonstrated his art in various states of India as well as in countries like London, America, Hong Kong, Paris, Belgium and illuminated the name of India. His father also received honors from the Cultural Center Department in 2003 and 2006. But now there is no appreciation.
The last generation may be the last generation
Akram is the youngest of six brothers in his family. All brothers Feroz, Nausad, Shamshad, Salim, Farid are carrying forward this art. He says that his art is praised in cultural programs, but does not fill his stomach with praise. Even after visiting the whole country with this art, he is seen looking for his identity. It is becoming difficult for his family to live with this art. They say that we have brought this art to the seventh generation, but it can be our last generation due to very low remuneration.
The pride of the courts used to be polymorphic art
One of the traditional folk arts of India, the polymorphic art, which once used to be the pride of the court, is struggling with the crisis of identity today. Artist Akram, who is a resident of Bandikui, Rajasthan, says that his father Shivraj Bahurupiya increased the pride of India by presenting this art in the country and abroad. But now neither the artists get proper remuneration nor the honor from the society that can preserve this legacy.
Government should provide provision for conservation and permanent employment
Akram and his six brothers have been following this tradition for seven generations, but now it has become so difficult to live that it seems impossible to connect the next generation with this art. Cultural events are appreciated, but it does not fill his stomach. They say that if there is no provision for protection and permanent employment from the government, then this valuable art will soon become history.
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