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An animated alternative Rock band Gorillas led by Demon Elberan and Jamie Hewlett has announced its ninth studio album The Mountain, releasing on March 20, 2026. The new project is a departure like the first catalog of the virtual band, which usually mixes alternative rocks with syntha-pop, electronic and hop-hop, Anushka Shankar and Asha Bhosle.
Also read Gorillas announced the new album The Mountain inspired by India, collaborated with Asha Bhosle and Anodha Shankar
Artwork and Trexist
On September 12, album covers, artwork and trachelists were detected on social media. In the album cover, Hindi letters have been called “Parvat” and the artwork includes members of four animated bands with various oriental overtones-Rudrak-style beads as a full-fledged sanyasi or yogi, with Rudrak-style beads, Russell did not do with a kurta-pajama set, mysterious and modern, composed melodious, with a moving male, and a American traveler, and a American passenger, 2D poding – and nataraja representing Nataraj in typical Gorillas art style, holding various objects including two crosses, a mobile phone and a sitar. It also has a royal Bengal tiger, a goat and a monkey.
The trachelist revealed epic cooperation in five different languages, including Asha Bhosle, Aman and Ayan Ali Bangash, Ajay Prasanna, Umar Souleman, Asha Puthali, Anawasha Shankar, Idol, Paul Simonan, Jalen Nagonda and Johnny Mars. In an interview with the Rolling Stone UK, Damon Alborn and Jamie Hewlett discussed their inspiration behind the album, travel to India, their experiences collaborating with Indian artists and the theme of life, death and transition, which is central for the project.
From soundless collection to cultural agency
When Hindustani classical music was first popularized in Western music by Beatles, in the 60s, he borrowed music elements, including instruments such as Sitar and Tambura, and approved the ‘foreign’ sounds ‘foreign’ in the British Psychedelic rock. Ever since the hippies turn to India for spiritual and religious transit, the country has been branded as a polymorphic land to lose psychide vision, trippy colors and ascetics of drugs. Along with this, the appropriation of Hindustani music came out – the background is branded as a foreign background environment for Western imagination rather than celebrated as the work of long sitar Solos and Tambura Drone in the background.
The new album of Gorillas has marked the old Western tradition of making the old Western tradition of this century ideal as a foreign land without a voice – the politics of representation and the politics of authenticity has always been controlled by the West. The album examines the fictional journey of four animated bands through India, and was recorded in places in London, Devon and India. In the Rolling Stone interview, both Albaran and Hewlett talk about undergoing tragic losses – the death of his father and Hewlett’s mother -in -law – and the death of Hinduism, Buddhism and Sikhism, getting relaxed in the outlook of Buddhism and Sikhism. A fundamentally related to the Anglo-Christian background, their reaction is comparable to the attraction of the hippie movement in the past.
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Cooperation with Indian artists
Both mentioned the best time to work with Indian artists and to experience the country in ‘Fantastic Technicer’. A collaboration, however, stood outside for Albaran – Anawasha Shankar. He was introduced to Sitar’s Punyaso Pandit Ravi Shankar at an early age, courtesy of his parents’ deep praise for Indian classical music and ragas, and Sitar Guru’s daughter is a symbol of a complete cycle on her record. He told Rolling Stone, “I probably listened to Ravi Shankar, before I listened to the Beatles, when I was a child,” and said, “Anawashka Shankar on the record has not only a real privilege, but my father and Ravi Shankar’s relationship with his love is great.”
This cooperation is not only a decisive moment for the experience of Deman Alberan, but also marks a poetic return in that era when Psych Rock has worked classical classical classically in his sonic tapestry for the first time – Transformative Journey to Rishikesh of Beals, where George Harrison spent the guidance of legendary Pandit Ravi Shankakar.
An agency for Eastern culture is restored by giving Indian artists a voice and allowing them to represent them on the global stage. Unlike the previous Western projects, who borrowed Indian sounds as a foreign tribute, this album puts Indian musicians and equipment at the center of its sonic identity. From the sitar of Anoushka Shankar to the complex rhythm of the classical collision, the contribution is not to flourish the background – they shape the very texture of music. In doing so, Gorillaz challenged the old orientalist template, converting India into an active co-producer to a globally resonant soundscape.
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