Rising star Ipsitaa launches powerful pop single “Qadar Na Jaane” with stunning visuals

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Ipsitaa is a versatile artist who is renowned for her remarkable contribution to the world of music, as a trained singer, actress and dancer. Ipsitaa’s journey to stardom began with her debut song ‘First Kiss’ which she sang in collaboration with the famous artist Yo Yo Honey Singh. This sensational track has garnered 238 million views on YouTube and 34 million streams on Spotify.

Ipsitaa’s musical talent continued to flourish with the release of four independent songs, each of which is a testament to her talent and artistry. Notably, her single released on T-Series – ‘Solo Laila’ composed by Tanishk Bagchi – has received widespread acclaim for its message empowering women, garnering 20 million views on YouTube and 1.4 million streams on Spotify. Next, she appeared in her heart-touching Punjabi song ‘Nika’ written by Jaani and produced by Desi Music Factory, which deeply impacted women across the world. Ipsitaa’s diverse portfolio also includes ‘Dilbara’ produced by Just Music and a charming independent Christmas album ‘Songs of Christmas’ created in collaboration with Ranjit Barot. The album beautifully showcases her versatility across a range of global genres, from opera to pop and gospel.

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background

Born in Chandigarh and raised in various cities in North India (owing to her parents’ civil service background), Ipsita showed an inclination towards singing, acting and dancing from an early age. She began developing her skills in pop and opera singing at the age of 12. A testament to her talent is the distinction she achieved in the Grade 8 Voice Examination (Vocals: Rock and Pop) conducted by Trinity College, London, where she topped North India. Her early successes extended to her role as the youngest member of the international choir, Capital City Minstrels, and as lead singer and soloist at her school, where she won numerous awards at the inter-school, state and national levels. She also obtained a Senior Diploma in Kathak at the age of 14. Remarkably, the performing arts were not her only goal. Ipsita’s academic talent earned her acceptance offers from Ivy League colleges including Yale, Princeton, Columbia and Cornell, as well as Stanford.

She decided to fulfill her dream of going to Yale, where she pursued a double degree in economics and psychology, as well as appearing in 14 productions at the Yale School of Drama, from operas and musicals to postgraduate-level plays (for which she was selected through competitive auditions as one of the only undergraduate cast members). She founded Yale’s first Indian classical dance group and played the role of the principal Kathak dancer. Ipsita’s academic passion for behavioral economics inspired her to pursue higher education. She received an MSc in Behavioral Science from the London School of Economics, where her dissertation titled ‘Does engaging in the arts improve life satisfaction?’ demonstrated her commitment to both academics and the arts. But it was only after her accidental discovery by Yo Yo Honey Singh’s team through her covers and online mashups that Ipsita realized her true calling in music.

Ipsita’s artistic endeavors are not only a reflection of her remarkable talent, but also a manifestation of her commitment to addressing important social issues. Her range of work beautifully expresses the struggles and aspirations of women, exploring themes such as the sacrifices imposed by culture and religion, the importance of nurturing dreams without inhibitions, and the imperative nature of questioning societal expectations. Ipsita’s powerful voice serves as an instrument of change, and her passion for addressing women’s issues has earned her a devoted following. She seeks to blend her Western musical training with her Indian heritage to create songs that connect deeply with the modern Indian woman.

As Ipsitaa embarks on her journey as a professional artist, she envisions a future filled with music that empowers, inspires and brings forth the voices of countless women who have been left voiceless in their aspirations and desires. With her unique blend of talent, Ipsitaa is set to become India’s first ‘triple threat’ talent, following in the footsteps of her idols in the West who have proven through their determination that girls truly can do everything.

Ipsita starring Kadar Na Jaane
Ipsita starring Kadar Na Jaane

About the song

“Qadar Na Jaane” is a new age pop song by Ipsitaa that speaks directly to girls, encouraging them to focus on themselves and their well-being instead of investing in relationships with boys who fail to appreciate their worth. The lyrics clearly depict the common scenario of a girl being wooed by someone whose intentions may not be true, highlighting the importance of recognising one’s worth and not settling for less. The song paints a picture of a girl who is being pursued by someone who doesn’t really care for her. Despite the promises and declarations of love, the girl is urged to look past the appearances and realise her own worth.

“Qadar Na Jaane” serves as a powerful anthem for self-love and empowerment. It encourages girls and women to prioritize honesty, self-respect, and integrity in relationships and to stay away from people who don’t value them.

“Kadar Na Jaane” is not just a song; it is a powerful reminder for girls to focus on themselves, accept their worth, and never settle for anything less than true love and respect.

Story

This video is a full performance music video that uses colourful sets, new age, K-pop inspired visuals and dance choreography. This is a video that no other Indian artist has created before. It is going to set a new benchmark for Indian pop music.

More than 90% of the video is created using VFX by the talented team of Famous Studio, Mumbai.

Disclaimer: This article is a paid publication and does not have the journalistic/editorial involvement of Hindustan Times. Hindustan Times does not endorse/subscribe to the content of the article/advertisement and/or the views expressed herein. Hindustan Times shall in no way be responsible and/or liable for all that is stated in the article and/or the views, opinions, declarations, affirmations etc. expressed therein.



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