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Agathe is Brahmachari with choice. Filmmaker Laura Piani’s feature debut 30-Kuch Nayak “Jane Austain Wraked My Life”, played by Luminous Camily Rutherford, is not so wasted by Austain as he has been fully aware of his boundaries in both romance and literature.
Neither he nor anyone else is enough for any big trick. So, she sticks to the routine. She works in the legendary Perisian Bookstore Shakespeare & Co. and Bike Home, where she lives with her sister and young nephew. Sometimes she goes out for dinner. What is worth it, Agath also has her brain strips, red pouts and a French girl chic with the hair with hair. Instagram accounts there should be dedicated to its navy hooded park.
Life is not bad, it is not just moving forward. And whatever is going to be taken out of this self-stunned rut, it is going to be something special-she reads a lot of great books to accept anything less.
Standards are great and all, but in fact, of course, it is finger that has to get out in its own way. And she does, one night, in a sake-inspired confrontation in which she dreams of the first couple of chapters of a romance. His best friend Felix pushes him what he needs and secretly presents a page to a Jane Austain Writer Residency, where he is accepted and invited to spend a few weeks.
Before she falls on the ferry, Felix, a known serial date and “breadchardar”, kisses her. This is a kind of development, a plateonic friendship became complicated, enough to already distract the already uninfected writer with an impotent complex. When she comes, another beautiful distraction is awaited: Oliver, a British literature professor and Austain’s “Great Great Great Great nephew” who thinks that “pride and prejudice” the author is overrated. Agathe does not know that he also speaks French until he complains to his sister about pride with his sister within her earrings.
This is a classic kind of setup, not at exactly Mr. Darcy, but not so. Shared Lodgings, even on a large, delightful English property, only as wave-way-way-tension they see each other everywhere: walk in the forest, breakfast, after reading, after reading. And it is not without its slightly clinch hesink, such as Agathe snatched down to do nothing and who assumes that the bathroom is opening a door to it. it.
Piani has created a rare gem in “Jane Austain Wrackked My Life”, which manages to be literary without pretending. Its title is Chikali Hyperbolic, but there is some truth for it. The modern romance for Austain disciples is obliged to disappoint, but in this atmosphere, they can make a costful ball right. This phenomenon is a Swony, romantic affair, where we get to see the love triangle that plays in all its fantastic strangeness.
But when “Jane Austain ruined My Life” is definitely qualified as a romantic comedy, the question she ends is next to this point. Do not worry, options are made, but the way it plays is both unexpected and satisfactory. A clear eye picture of why is not the problem of single-signs. Even a Frederick Vijman Cameo is included.
Finally, it is a woman who is about a woman who is probably betting on herself for the first time. His feeling is not going to come through a lover, job or makeover, but by sitting down and finally putting a pen on paper. This may not be a strict adaptation, but it has the soul of Jane Austain.
“Jane Austain ruined my life,” a Sony Pictures Classics release in theaters on Friday, “some sexual content, nudity, language” is rated by the Motion Picture Association for the Association. Running Time: 94 minutes. Three out of four stars.
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