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Ayana Mano Review
Cast: Kushi Ravi, Mansi Sudhir, Hita Chandrashekhar, Archana Kotiga, Ramesh Indira, Sihi Kahi Chandru
Producer: Shruti Naidu
Where to see: zee5
Rating: ★★
OTT Space has seen a shortage of Kannada content and new web series Aiyana Mane, starring television veteran Ramesh Indira and is produced by his wife Shruti Naidu, an attempt to establish a new trend in this space. The six-episode series, which falls on Zee5 on 25 April, revolves around Jauji (Kushi Ravi), who marries Dushyhant (Akshaya Nayak) and goes to her family’s home-Ayana Mane.
What about Iyana Mane
As soon as Jiaji set foot in her husband’s ancestral house, Iyen Mane, her father -in -law died. While a frightened Jiaji believes that she is bringing bad luck to the house, her mother-in-law, husband and siblings explain to her otherwise. Not only does she find strange incidents in the house, but she also finds that the people of the house also work strangely, increasing her doubt that everything is not well. She soon knows about the mysterious deaths of the family god and some family beliefs as well as the mysterious deaths of other daughters. All of them feared Jauji, saying that she could be in the next line. Although her husband told her that she does not need to be afraid, Jauji’s mother -in -law Nagamma (Mansi Sudhir) forces her to keep quiet about going into the house. What is really happening in Iyana Mane? Who is behind these deaths? Will Jauji be killed?
Where it is lacking
Given that director Ramesh Indira is known for her Kannada serials, Ayana Mane also follows a similar soap opera template and not the OTT series format. What is believed to have a recreational mystery thriller slow and lacks a terrible atmospheric theme, which will expect in such a series. Many red herds have been thrown to put many people under suspicion, but they are neither assured nor authentic. Even why murders are being done, they are not forcing enough.
Family gods and rituals, and subjects such as superstition in rural areas have been detected in Ayana Mane, but all this is at a very superficial level, unfortunately. Thus, the screenplay does not flow easily, and it becomes teduned middle.
The Kannada actor anchors the Kushi Ri Series and ease innocent-until innocent, until the universe, until now-Korezas essay Jauji. Since Ayana Mane is like a regular TV soap, the role must have been a cakewalk for him. Mansi Sudhir has an important role and is confident that other people are equal to the course.
Technically, Rahul Roy’s cinematography stands out as costumes by Shilpa Hegde, especially the choice of sarees for women. The BGM also elevates the scenes by LV Muthu Ganesh, son of El Vaidyanthan.
Overall, Ayana is an interesting basis of Mane, but this story of mysterious deaths, superstitions and gods is disappointed with poor writing.
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